That's as true of Hozier's lyrics - which use Nina Simone and Duke Ellington as signifiers, tying him to a heritage that's not quite his own - as it is of the ruminative music, which feels contemplative even when the tempo quickens. Given that lengthy gap, it's appropriate that Wasteland, Baby! feels considered, its every move telegraphing a deliberate decision. He certainly took his time to release Wasteland, Baby!, a sophomore set delivered nearly a half-decade after his debut. This gift is what fueled "Take Me to Church," a bit of protest neo-gospel that became an unexpected international blockbuster in 2014 - a success so great, the Irish singer/songwriter was in no need to hurry up with a sequel. Hozier's great trick is how he hangs suspended between past and present, drawing upon old forms without sounding traditional. Purchase and download this album in a wide variety of formats depending on your needs.
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